Awareness in the woods is important
to the hunter or the naturalist. Nothing can move in
nature without affecting everything else. The web of
life is interconnected, like a spider web. When
something gets caught in a spider's web, it vibrates the
whole web so the spider knows even if a small insect has
been trapped.
It is also like throwing a pebble
into a pond; it sends out circular waves across the
whole pond. By looking at the rings, you can tell where
the rock was dropped. Nature has concentric rings also;
but they are more difficult to read, but can be learned
over time.
A good example of a concentric ring
in nature would be when a fox is walking along a trail
and the local bird population begins to stir, which then
catches the attention of some distant jays, who will
scold the fox. Crows may then pickup the commotion, mice
will run for cover, chipmunks and squirrels will retreat
and in the distance the deer will pick up on the
activity and stand at alert, which in turn affect
anything close to them. All animals are good at
understanding the disturbances in the landscape, which
if they listen closely, alert them to danger at greater
and greater distances. They can tell the differences
when the jays are scolding a fox, a man, or a dog,
thereby getting the appropriate danger or disturbance
signals.
I can tell when a hawk is flying over
without ever looking towards the sky; just by watching
the birds at our feeders or our chickens. When a hawk
goes over our rooster will alert the hens and they all
disappear; and when the hawk leaves the rooster will
sound another call and they will reappear. If I see the
birds at our bird feeders scatter and everything gets
quiet I know that the hawk is near. When the hawk leaves
the birds return to eating at the feeders.
Concentric rings are not as easy to
learn as it may first seem because you are not dealing
with a quiet pond, but with trembling waters, always in
motion. There is a constant symphony in a forest that
fluctuates with the day, the weather, and so many other
factors. So the first thing when learning concentric
rings is to establish this base rhythm of the symphony.
Once the symphony is established, any disturbance in the
flow becomes a concentric ring. Whether the symphony or
disturbance becomes more dramatically loud or whether it
becomes quieter, it is a concentric ring. Any change at
all means something.
A good way to practice is to learn to
establish the symphony. Any time a fluctuation occurs,
go quietly over to see what has made the disturbance and
how far out the disturbances or concentric rings can be
detected. Try to stalk so that you do not create a
concentric ring that interferes with that which is going
on at the moment. The more you practice, and it will be
frustrating at first, the more will be the rewards of
being able to read what is going on at greater and
greater distances. It was once said that a good Apache
scout could read the concentric rings of a white man
eight miles away.
A good exercise to do with a friend
is to go out and sit alone in the woods for awhile
(about an hour). Wait until the forest calms down and
the symphony is well-established. Then, at a
pre-determined time, have your friend enter the forest.
Listen, watch, and experience the concentric rings that
his travel sends off. Don't try to put these rings in
words, but rather let them sift into your subconscious.
Some things can never be explained in words or thoughts.
You should also learn to watch the
birds to get a baseline. Wildlife does not appear just
because we've studied the Peterson's or Audubon Guides.
Wildlife is always there... but sometimes we do not know
how to see them. Are some photographers lucky when they
take great photographs of wildlife or do they know
something that you might need to learn? If the birds
know bird language and they understand what it means...
won't you be able to see more of nature if you
understood the universal bird language? By just learning
the universal bird language, even from your backyard,
you will recognize base line of the birds and only then
you will be able to recognize a change in the pattern
and know what it means. You will see more and you will
be able to have more photography opportunities.
Baseline, once understood, is common
sense combined with observational skills. Baseline is
not doves flying up suddenly from the ground when you
approach. Baseline is NOT when the birds stop singing
their songs or stop feeding their young or stop male to
male aggression or stop their companion calls. Baseline
is when the birds do what is natural during the day and
when they stop doing their natural behavior, they are
out of baseline. And when they are not in baseline and
they are giving the voice of alarm, all the wildlife
within a certain radius knows. They listen and then they
move on to safer areas depending on the bird language.
If you get really good at bird
language, you will be capable of seeing those great
wildlife moments while they are happening. For you, that
little saying "A birdie told me," will become true when
you see the wildlife.
Most people in the modern world do
not understand and even hear what the birds are saying
because they are always thinking of other things when
they are walking in nature. Because of the modern day
stress and all the things that "need to be done," most
modern world people miss the most obvious things just
because their mind is somewhere else.
How many times do you drive to a
destination and you don't even remember going down a
certain road or taking a certain exit off the highway?
"How did I get here?" Now, take yourself into nature and
keep that same mind set. How are you ever going to see
wildlife or that special photography opportunity? You
will see some, but you will miss the very best ones.
When you walk into nature thinking of other things, the
birds pick up on your body language and react... most of
the time unfavorably. The reason some photographers are
able to see wildlife and some photographers do not is
due to body language. The birds always listen and see
since they are always aware of survival. Once you become
proficient in moving within nature, you will almost
become invisible to the wildlife.
Instinct is a very valuable asset for
nature photography. By using the language of the birds
to enhance your intuitive instincts, you will be able to
be in the right place at the right time. The more of the
brain that we use to recognize baseline behaviors of the
birds, the more that we will see. Reacting to your gut
feelings and to your intuitions will enable you to
produce additional photography opportunities.
The Five Voices of the Birds:
1) Song
2) Companion Calls
3) Male to Male Aggression
4) Begging Calls
5) Voice of Alarm
The 5 voices are learned from the song birds such as
the Robin, White-Throated Sparrow, Cardinal, Junco,
Wren, Cat Bird and Thrushes. Since the song birds are
ground feeders, they are the first to see and hear
possible threats (including you approaching). A bird
will not fly any higher than it has to escape danger. If
they feel threatened, the birds will sound the voice of
alarm. By listening to the song birds and learning from
them, you will be able to know the wildlife around you;
you will be able to know that a cat is coming around the
corner a few minutes before you see it. You can learn
much from the five voices of the birds.